The University of New South Wales

go to UNSW home page

Handbook Home

PRINT THIS PAGE
Eurocentred Visions: Grand Narratives in Western Art - SAHT9202
 Library lawn

   
   
   
 
Campus: College of Fine Arts Campus
 
 
Career: Postgraduate
 
 
Units of Credit: 6
 
 
EFTSL: 0.12500 (more info)
 
 
Indicative Contact Hours per Week: 3
 
 
Enrolment Requirements:
 
 
None
 
 
Excluded: SAHT2211
 
 
CSS Contribution Charge:Band 1 (more info)
 
   
 
Further Information: See Class Timetable
 
  

Description

To tell progressive stories about Western art, 'grand narratives' were constructed. In these 'grand narratives', as this course reveals, Eurocentric and ethnocentric historical material was ordered into stories about Western nations becoming more and more civilised as signified by the development of perspective, the 'Classical' canon, landscape and cityscape, portraiture and the nude from Ancient Greece to Modernism. Positioned as peripheral to this evolution or merely a sub-text to these grand narratives, Non-Western art, particularly that of Islam, was either excluded or misrepresented as uncivilized, regressive and barbaric. Issues of cultural difference capable of disrupting the seamless flow of Western arts evolution, such as gender relations, sexualities, ethnicities, nationhood, diaspora, work, patronage and money, criminality and disease, were disavowed. To deconstruct these 'grand narratives', this course will use these exclusions and denials as its tools. Drawing upon interdisciplinary models for reconstructing history provided by Michel Foucault, Edward Said, Jonathan Crary and Abigail Solomon-Godeau, amongst others, it will explore how to rewrite histories of art in relation to non-western art, homoeroticism, manhood and the 'heterosexual imperative', prostitution and 'the venereal peril', health, disability and hysteria, the alienated and displaced, the 'orientalised other', the nuclear family and 'docile bodies'. As a postgraduate course, it will also explore the impact of such new narratives on curating exhibitions, collecting art, critical writing and art publishing.

URL for this page:

© The University of New South Wales (CRICOS Provider No.: 00098G), 2004-2011. The information contained in this Handbook is indicative only. While every effort is made to keep this information up-to-date, the University reserves the right to discontinue or vary arrangements, programs and courses at any time without notice and at its discretion. While the University will try to avoid or minimise any inconvenience, changes may also be made to programs, courses and staff after enrolment. The University may also set limits on the number of students in a course.